© Laurent Ziegler
Grafenegg Grafenegg Reitschule
Andrea Eckert
Andrea Eckert - recitation
Rotraud Perner and Paul Zulehner - discussion
Introductory talk with Andrea Eckert
Before the performance of Pergolesi’s «Stabat mater», Andrea Eckert, Rotraud Perner and Paul Zulehner set the scene for the audience – poetically, psychologically and theologically.
0 Entries Entry
© Laurent Ziegler
Grafenegg Grafenegg Reitschule
Andrea Eckert
The visit to the introductory talk is in the ticket price included.
Andrea Eckert
Betrachtungen
Andrea Eckert - recitation
Rotraud Perner and Paul Zulehner - discussion
Before the performance of Pergolesi’s «Stabat mater», Andrea Eckert, Rotraud Perner and Paul Zulehner set the scene for the audience – poetically, psychologically and theologically.
© Molina Visuals
Grafenegg Schlossklänge
Sophie Karthäuser
© Rebecca Fay
Grafenegg Schlossklänge
Christopher Lowrey
© Marco Borggreve
Grafenegg Schlossklänge
Jonathan Cohen
Tonkünstler-Orchester Niederösterreich · Sophie Karthäuser · Christopher Lowrey · Jonathan Cohen
GEORG FRIEDRICH HÄNDEL · ANTONIO VIVALDI · GIOVANNI BATTISTA PERGOLESI
GEORG FRIEDRICH HÄNDEL
«Silete venti» Motette HWV 242
Concerto grosso a-Moll op. 6/4
HWV 322
ANTONIO VIVALDI
«Cessate, omai cessate» Cantata for alto, strings und basso continuo
RV 684
GIOVANNI BATTISTA PERGOLESI
Stabat mater for soprano, alto, strings und basso continuo
He was widely misunderstood during his lifetime; it is said that once an orange was thrown at his head during a performance. But after Giovanni Battista Pergolesi’s premature death, the world learned to love his music. His posthumous fame became so great that works by less successful composers were published and performed under his name. His profound «Stabat mater», which expresses the Virgin Mary’s pain over the death of Jesus, was one of the most popular pieces of the whole 18th century and inspired other composers to create their own adaptations. Johann Sebastian Bach, for example, took it as the basis of his «Tilge, Höchster, meine Sünden».
The concerts scheduled for 10 April with the Tonkunstler Orchestra must also be cancelled.
All affected ticket holders will be actively informed in the coming days regarding further developments.
© Laurent Ziegler
Grafenegg Grafenegg Reitschule
Andrea Eckert
The visit to the introductory talk is in the ticket price included.
Andrea Eckert
Betrachtungen
Andrea Eckert - recitation
Rotraud Perner and Paul Zulehner - discussion
Before the performance of Pergolesi’s «Stabat mater», Andrea Eckert, Rotraud Perner and Paul Zulehner set the scene for the audience – poetically, psychologically and theologically.
© Molina Visuals
Grafenegg Schlossklänge
Sophie Karthäuser
© Rebecca Fay
Grafenegg Schlossklänge
Christopher Lowrey
© Marco Borggreve
Grafenegg Schlossklänge
Jonathan Cohen
Tonkünstler-Orchester Niederösterreich · Sophie Karthäuser · Christopher Lowrey · Jonathan Cohen
GEORG FRIEDRICH HÄNDEL · ANTONIO VIVALDI · GIOVANNI BATTISTA PERGOLESI
GEORG FRIEDRICH HÄNDEL
«Silete venti» Motette HWV 242
Concerto grosso a-Moll op. 6/4
HWV 322
ANTONIO VIVALDI
«Cessate, omai cessate» Cantata for alto, strings und basso continuo
RV 684
GIOVANNI BATTISTA PERGOLESI
Stabat mater for soprano, alto, strings und basso continuo
He was widely misunderstood during his lifetime; it is said that once an orange was thrown at his head during a performance. But after Giovanni Battista Pergolesi’s premature death, the world learned to love his music. His posthumous fame became so great that works by less successful composers were published and performed under his name. His profound «Stabat mater», which expresses the Virgin Mary’s pain over the death of Jesus, was one of the most popular pieces of the whole 18th century and inspired other composers to create their own adaptations. Johann Sebastian Bach, for example, took it as the basis of his «Tilge, Höchster, meine Sünden».
The concerts scheduled for 10 April with the Tonkunstler Orchestra must also be cancelled.
All affected ticket holders will be actively informed in the coming days regarding further developments.
